HOLEE SHIT, you guys. Have you ever had an experience in which you sort of take Sassy Gay Friend’s advice – look at your life! look at your choices! – but instead of being shamed, you think, “how did something this awesome happen to me?!”
I’m sure you have. Your big “my life is awesome” moment probably came when you got a huge job promotion, or had a kid or fell in love or sold your first manuscript or got a Printz or WHATEVER. But mine came this week, when I received a demo cd for the SWEET VALLEY HIGH MUSICAL.
WHAT? Yes. Yes. The Sweet Valley High Musical. It’s a THING. A THING THAT EXISTS. AND I HAVE THE DEMO CD.
I know what you’re thinking – “oh, erin. Anyone can write a musical about Sweet Valley High! I wrote a musical last week about Lila Fowler – the big pop number is ‘Ridin’ My Lime Green Triumph.’”
And I’m sure you’re right – I myself have written one rousing soon-to-be-Tony-award-winning hit song about the Wakefields, called “Blonde, Blonde, Lavaliere,” and I expect to expand that into a book and full musical by tomorrow, BUT! But! THIS Sweet Valley High Musical was written . . . BY FRANCINE PASCAL HERSELF. YES.
See, as far as I can figure out, given the Very Intense Investigative Journalism that I employed by googling for half an hour, Fastbreaks: The Comings and Goings at Sweet Valley High (yes! THAT IS THE TITLE) is a musical that was written by Francine Pascal sometime in the 90s. As far as I can tell, it has only been performed (or maybe only workshopped) once, at Arts and Artists at St Paul, directed by John Znidarsic and starring this guy as Winston. I dunno, he could be a Winston. If he dyed his hair and were 15 years younger. Maybe.
But, other than that one performance (workshop? I honestly don’t know!), Fastbreaks has not yet seen the light of day. As of 2008, Pascal was still hoping to stage the musical, but nothing shows up on a google search. WHY IS THE PUBLIC DENYING US THIS WONDERFUL EVENT?
But! Fear not! Through mostly legal means (I’m 90% certain, anyway), WE HAVE GOT FIVE SONGS FROM THE MUSICAL! One of our amazing readers found a demo cd of Fastbreaks in her local theatre’s archives and she sent it to us!! It’s from 2000, so I guess that Francine has been shopping this thing around for a while.
EVEN BETTER? The music for the musical was written by David Bryan, from BON JOVI. BON MOTHERFUCKIN JOVI, y’all. This shizz is LEGIT. I fully expect there to be some incoherant mumbling* and big hair and references to New Jersey in this musical!
*Here is a Misheard Lyrics anecdote: for years I misheard “Gina works the diner all day” as “Gina wants to die of old age.” And I was like, “DUH, Gina, pretty much everyone does (except for me)! THAT DOESN’T MAKE YOU SPECIAL, GINA! GOD I HATE YOU!”
Anyhoozle, because we here at FYA care about your happiness, we’ve uploaded the entire demo cd for you to listen to! I KNOW! You can send us gift baskets of puppies and champagne to thank us.
Because I don’t have the book and therefore do not know the actual plot of Fastbreaks: The Comings and Goings at Sweet Valley High, I am going to use my Creative Imagination skills and my advanced knowledge of Sweet Valley High plots and characters to write the scenes that these songs belong in. Guys? Might as well just give me my Tony now.
Let’s kick it, Bayside Sweet Valley! You can just click right on the song links to listen to them!
ACT ONE
SCENE ONE
Mr Collins’ classroom. Students are assembled,
discussing End of Year dance. Mr Collins is busy
bearing a striking resemblance to Robert Redford
and doling out sage advice to students.
LIZ
I just don’t know what to do, Enid. The big dance is coming up
and Todd and I still aren’t speaking. Oh! If only I hadn’t
accidentally gone out on several dates with Nicholas
Morrow! Then Todd and I wouldn’t have had this misunderstanding!
ENID
I don’t know, Liz. Nicholas Morrow sure seems to like you.
I wish someone liked me. I wish I could have sex again as an
actual teenager. I was too high to enjoy it back when George and I
nearly killed that kid, for which we conveniently escaped punishment.
If only Former Fattie Robin Wilson hadn’t stolen him away!
LIZ
Please stop distracting me with your issues, Enid. Oh! I
know what we need, Enid! A ridiculously simplistic main plot which
illustrates our current feelings of ennui! Maybe we should have
a small moral crisis about the fact that we’re going to graduate sometime
in the next four decades! It’s going to be so weird not to be in Sweet Valley!
ENID
Not to see Chrome Dome Cooper’s shining bald head!
LILA
Not to shop at Lisettes! Or spend my dad’s money that he gives me
as a replacement for genuine affection at the Sweet Valley Mall!
OLIVIA
What will we do without being able to have The Probable Lesbian Special
at Casey’s Ice Cream Parlor?
BRUCE
I don’t care where I end up, because I’m sure it will be fabulous!
LIZ, ENID
We will silently judge you for being so stuck up, Bruce
Patman, even though we are just as stuck up as you are, if not more so.
JESSICA
Don’t worry, you guys! We’ll always have the beach! And
Secca Lake! And my pool! And our tans!
CLASS CHEERS.
LIZ
Jessica’s right, everyone! As long as we have each other,
we’ll always be superior to every non-Sweet Valley resident in the world!
Why, I’d even say we could live forever, if I could turn that into a
hackneyed title for my next Oracle article!
OLIVIA
“Forever Lives in Us?”
LIZ
That’s great, Olivia!! I’m going to steal that idea and
pretend it was mine and take all the credit, since
people like me more than they like you. Since you are
probably a lesbian.
LIZ moves to center front stage and addresses
her classmates. Her gold lavaliere swings with
perky energy.
LIZ
Hey, you guys! Don’t worry about a thing!
Forever lives in us!
CLASS CHEERS
Get comfortable, folks! We still have four scenese to go! I hope you snuck some booze into this theatre!
ACT ONE
SCENE THREE
A crowded hallway in Sweet Valley High.
ENID and LIZ are collecting books from their lockers.
They see TODD and WINSTON approach.
LIZ
There he is, Enid! I hope he isn’t still angry with me!
ENID
Don’t worry, Liz! I overheard Cara Walker tell Jessica
that Todd told Eventual Rapist John Pfeifer that he was
in love with a gorgeous, fun blonde!
LIZ
But, Enid! That could mean he’s really in love with Jessica!
I’d better create an entire forty pages of angst based on my assumption
that my boyfriend likes some other girl, without actually asking him about it!
ENID
No, I’m pretty sure Todd likes you, Liz. I know that Jessica is
cooler and prettier and a hell of a lot more fun than you are, and
that any normal, sane person would totally choose to go shopping
with Jessica instead of sitting around and reading your emo poetry,
but Todd seems like an idiot, so I am pretty sure he’s in love with you.
LIZ
Oh! Enid, my heart is so full that it could simply burst out
of my 34C chest! But how can I show him how I feel?!
ENID
You should use your vagina to show him your affection. Boys like
that sort of thing. Or at least, they did when I was 13.
LIZ
But . . . sex? I couldn’t possibly have sex! Sex requires that I
be in charge of my own body! And how would I do that without
someone smarter, like a boy, showing me how?
ENID
Don’t worry, Liz! It’s just your first time! It’s not like you’re going
to have an orgasm during it and then cry. That won’t happen
for years yet!
LIZ
Oh, Enid! You’ve really put my mind at ease! It’s so great
to have a friend like you who used to be sort of interesting
but is now the most boring person in the entire world!
ENID
Go get ‘em, Liz!
ACT TWO
SCENE TWO
A classroom. WINSTON spies ENID from across
the room. Gathering up courage, he approaches.
WINSTON
Hey, Enid.
ENID
Hey, Winston.
WINSTON
Well, Enid, I guess you’re wondering
what I’m doing talking to you. And so
nervously too! Well, Enid, I’d really like
to take you to the End of Year dance at the
Beach Disco.
ENID
The one on Friday?
WINSTON
No, not that one, the one next week.
ENID
The one on Thursday?
WINSTON
No, the one on the Friday after the dance on Thursday.
ENID
Oh, that one!
WINSTON
Yeah, so, anyway. Do you want to go with me?
ENID
But I thought you were dating Maria Santelli!
WINSTON
Oh yeah, I guess I was. But she doesn’t
exist in this musical!
ENID
But you’ve never showed any romantic
interest in me before!
WINSTON
breaking fourth wall, gestures to the audience
But THEY don’t know that!
ENID
Winston, I’m not sure I can go to a dance
with someone who’s never showed any interest in me.
Sure, I’m desperate, and my boyfriend dumped me, after
he paralyzed me in a plane crash, for Former Fattie
Robin Wilson. But there’s only 400 more dances
between now and the end of the year. I can’t
waste one dance on you!
WINSTON
I’d like to use this time to crack a joke, Enid. But
you’ve broken my funny bone.
ACT TWO
SCENE THREE
Casey’s Ice Cream Parlor. ANNIE WHITMAN
is at a table alone. RICKY CALPADO approaches.
RICKY
Hey, Annie. Why so glum?
ANNIE
Oh, Ricky! I just tried to join the cheerleading
squad, but Jessica played a mean, horrible trick on me,
and they wouldn’t let me in!
RICKY
But, Annie, your leaps are the best! And you’re
so flexible! You can even put your feet behind
your head! I thought for sure you’d get in!
ANNIE
Thanks, Ricky. But I’m only so flexible
because of all the sexy sex sex I have
all the time. Sex! I do it a lot!
RICKY
Annie, don’t you think that your desire to have
sex is not actually based on the fact that
you might actually like sex – since women generally don’t
like sex at all – but is instead a way for you to get attention.
Don’t you think you crave the emotional affection from men
and rank your self-worth in sex?
ANNIE
Well, Ricky! Previously I just thought that maybe I
liked sex a lot and didn’t worry overly much about
the fact that society says I should keep my legs closed
to stay pure, but you’ve really opened my eyes! It MUST be
because I’ve been missing emotional affection from a dad!
RICKY
I’m glad I could help you realize your own
sexual agency, little girl!
ANNIE
But I’m ruined! My hymen has already been
broken! Now no man is going to want to marry me,
because I haven’t kept myself pure for him! Oh, if only
I had employed the anal-and-elbow sex method to keep my
precious baby-making parts pure! I can’t go back again!
RICKY
Don’t worry, Annie! You can get re-hymenated for several
thousand dollars!
ACT THREE
SCENE ONE
JESSICA and LILA are walking to
SWEET VALLEY HIGH SCHOOL. They are
discussing the upcoming dance at the Beach Disco.
No, not that one. The other one. Then TODD and
WINSTON roll by on their skateboards, waving at
the girls.
JESSICA
Oh, Todd. He’s so dreamy!
LILA
Dreamy? Todd? Todd Wilkins? Are you high?
JESSICA
No, I don’t do drugs, since Regina died from
trying cocaine JUST ONCE. I just think he’s cute.
LILA
Why?
JESSICA
Probably because he’s Elizabeth’s boyfriend.
LILA
What are you going to do?
JESSICA
Clearly I’m going to devise a clever plan
in which I dress up to look like Liz and then woo him away.
LILA
Can you be as boring and sanctimonious as Liz?
JESSICA
I can try!
CROWD GOES WILD! MANY MANY CURTAIN CALLS! ENCORE!
THE END
I hope you’ve enjoyed our EXCLUSIVE LOOK at Fastbreaks: The Comings and Goings at Sweet Valley High! If any of you have any sway over theatres, GET THIS SHIZZ ON THE STAGE!
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{ 29 comments… read them below or add one }
Brilliant, as ever, E. Wish we could put this baby on!
This is the most amazing thing ever. EVER!
I am still speechless. After your plot summary, I don’t know what I shall do if it doesn’t measure up
I think my fav is Annie singing about what happens once a girl says yes…
I read you guys all the time, but have never been motivated to post till now. That… that was GENIUS.
Upon reading the phrase “The Sweet Valley High Musical” I spit coffee on my computer screen.
Note to self: no more beverage drinking while on the FYA site.
You guys make me very very happy. Coffee spittin’ happy
A.
MA.
ZING.
madam e, you have truly outdone yrself this time. esp. since if this was the *actual* script of the show, this shizz would already have about a dozen tonys under its belt.
BROADWAY BOUND, BABY.
oh my effing god. there are NO WORDS for this…
have you written many west-end standard productions before? cause i hear andrew lloyd webber is running low on ideas. he could use talent like you…
This was the most fantastically horrible awesome thing EVER. I especially liked Todd’s line about how he dreamed of Liz last night. In my imagination he’s holding Kleenex when he says it.
…Mrs. Wakefield wore a pageboy haircut and they lived in a split-ranch style house. Chapter one was ALWAYS the same! I can’t wait to see this production in its entirety. So fabulous!
Best SVH book ever: Lila’s Story (SVH Super Stars).
flippin loved it!
thanks for making my day a little brighter with this gem!
I actually just applauded IN MY EMPTY OFFICE. For this! THIS AMAZING POST! Oh Erin, won’t you please write a musical of my life, and make it way awesomer and funnier than my life actually is? And then can you please just do that to not only my life, but life ITSELF? I would really appreciate it, because you’re super good at it.
We were in need of play for Drama Club this year….if only my cast was a bunch of third through eighth graders…curses
I have never read a SVH book in my life, but I am *crying* with laughter. Pure genius.
OM Effing G! I made it through the first song and you are right, this cannot be experienced without alcohol! Off to the corner Wino Hut and I shall be right back.
Freaking beautifully painful, and I thank you from the bottom of my alcohol-needing body for giving us the chance to experience this. Blessed goodness.
Ok, I’m back. (You missed me right?) AND… I think I just invented the PERFECT cocktail to go along with this epic display of awesomeness. I imagine it’s what I would have been drinking in high-school had I ya know, been that cool. It’s ridiculously sweet, you can’t taste the alco at all.
Sweet Valley Vanilla Spiked Pear Cider
In case anyone wants to try, it’s simply:
2/3 Trader Joe’s Cinnamon Pear Cider (cold)
and
1/3 Cheap ASS vanilla vodka.
Adjust quantities to degree of drunkenness preferred..
OK, NOW, I’m ready for the show.
.wma files?? Say it ain’t so! Any chance you could share these another way so us Mac users can enjoy too? This sounds like it would be amazing!
What the WHAT?!?! I haven’t actually read the post, I just saw Sweet Valley High musical in all caps and I thought to myself “THANK YOU GOD” (also in all caps)
Erm, and Erin (thank you, Erin). Guess I’ll read the post now.
David Bryan also wrote (and won all the big awards for) the score of the Broadway musical Memphis, which includes the song “Memphis Lives in Me.” Inspired by his earlier “Forever Lives in Us,” perhaps?
As a professional theater techie, I seriously hope this is actually produced one day, and that I am lucky enough to work on it!
I, too, have legitimate theater connections. Katie, let’s make this happen. The world has been waiting too long for the wonderful, wonderful horror show that is this musical. I mean, it can’t possibly be worse than “Spiderman: Turn Off the Dark,” can it?
Erin, you get my BFF charm for life for writing this script.
Erin, you are the best ever. And those songs…. the second (horrible) song includes the line that Elizabeth is “a second-class Jessica”!!! Hee!
oh. my. goodness. This needs to be brought to stage. Now!
I was taken on a wild and unforgettable journey through the strangley complementary worlds of music and A Very Realistic High School Experience and I don’t regret a moment…
I’m going to recommend it as the next (and final, for me) performance my acting group does! I’ll send y’all DVDs of how it goes. That is, provided I can get a group of teenagers to agree that this is what they want to be seen on stage gyrating to. Not that we do much gyrating currently, but here’s a great chance to start!
As for mishearing lyrics in Bon Jovi songs, I realise I am wrong now, but when I was a kid and had genuinely poor hearing, I always heard the beginning of ‘Living on a Prayer’ as “Johnny used to work on the dogs.” Come to think of it, I still don’t know what the real one is. But I think the idea of John and his champion dogsledding team is a lovely way to start a song. I don’t listen to Bon Jovie much, shockingly…
Thats was seven hundred-and thrity seven kinds of lameness.
Or, was it seven hundred-and thirty seven kinds of AWESOME? Come on you have to give it the so lame it is actually awesome card.
I cried. That was hysterical. I want more!
Omg. This was awesomely ridiculous.
Okay this might be completely unrelated to this post, but at school today we watched one of those old “the Teen Files” videos they hope will keep us from taking drugs and, guess what, this girl died from trying cocaine JUST ONCE! And I thought of Sweet Valley:D
LOVE IT!!! If this ever really happens, I will be in line the day tickets go on sale. Please, please, please!
And I am completely with you on the misheard lyrics, and I heard the same ones as you. My other favorite misheard lyrics are complements of Dave Matthews Band, “I’m the king of the castle, you’re the dirty rascal.” I always heard I’m the king of the castle, you’re the girl that I saw. Every time I heard that I couldn’t help thinking, geez pervy perverson, stop looking in her window!